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The ''Missa Gaudeamus'' is a musical setting of the Ordinary of the Mass by Franco-Flemish composer Josquin des Prez, probably composed in the early or middle 1480s, and published in 1502. It is based on the gregorian introit ''Gaudeamus Omnes'' and its setting is for four voices. ==Sources and attribution== The number of sources for this work is relatively high: two printed editions, four reprints and seven manuscripts. The ''() super Gaudeamus'' mass was first published in ''Misse Josquin'' ("Liber Primus Missarum Josquin ") (Venice, 1502) by Ottaviano Petrucci together with the masses ''L'homme arme. Super voces musicales'', ''La.sol.fa.re.mi'', ''Fortuna desperata'', ''L'homme arme. Sexti toni'', and reprinted in Rome in 1526. Among the first manuscript copies we mention the Kyrie copied by Johannes Orceau, for the Sistine Chapel, in Rome, dated between 1503 and 1512.〔 Some sources misattribute the mass to Ockeghem: The Fugger manuscript ''A-Wn Cod. 11778'', probably copied in the 1520s by Pierre Alamire ascribes the mass to Ockeghem, as well as an 1836 manuscript in Liepzig by Moritz Hauptmann. Fétis, in his ''Biographie universelle des musiciens'', under the voice relative to Ockeghem,〔In the same work, under the voice relative to Josquin, the ''Missa Gaudeamus'' is listed among the ones published by Petrucci in 1502, sources: J666〕 cites a manuscript of the ''Kyrie'' and ''Christe'' of a ''messe () intitulée Gaudeamus'' published by Kiesewetter in 1834; however, such authorship had been later amended by Kiesewetter in his 1848 edition of the ''History of the modern music of western Europe''.〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Missa Gaudeamus」の詳細全文を読む スポンサード リンク
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